Rupert Bevan Ltd has been designing, making and finishing bespoke furniture, antiqued mirror and specialist finishes for more than twenty years. We work for leading interior designers, architects and private clients all over the world. Our Design and Glass studios and workshops are in Shropshire, and in London is our showroom and Specialist Finishing studio.

We are now looking for a bright, confident and enthusiastic Junior Salesperson to join our busy team. We are looking for someone capable of delivering exceptional, high-end service to new and existing customers, and to help drive sales and exceed targets. Some relevant experience would be useful.

You must be self-motivated, able to work independently, and have excellent organisational, numerical and communication skills. A positive, can-do attitude is vital. You should be able to effectively manage key relationships both internally and externally.

Please download the PDF below for the Full Job Description

Junior Salesperson Job Description

How to Apply: Please send a short email to studio@rupertbevan.com explaining why you want to join Rupert Bevan Ltd and why you are the ideal candidate for this role. Attach your full CV and provide details of your availability for interview. Please apply only if you meet all the requirements.

Position based in London (Queens Park, NW6).

 

Rupert Bevan Ltd has been producing bespoke furniture and specialist finishes for more than twenty years for the high end London & international market. We work for leading interior designers, architects and private clients. We have a showroom in London and design studio and workshops near Ludlow, Shropshire.

We are now looking for a bright, confident and enthusiastic Production Co-ordinator with excellent technical knowledge of furniture construction, to be based in our Ludlow design studio. The position is available immediately and the salary specified is negotiable.

Please download the PDF below for the Full Job Description

Production Coordinator Job Description

How to Apply: Please send a short email to diana@rupertbevan.com explaining why you want to join Rupert Bevan Ltd and why you are the ideal candidate for this role. Attach your full CV and provide details of your availability for interview. Please apply only if you meet all the requirements.

Position based near Ludlow, Shropshire in the West Midlands – Please note this is NOT a London vacancy. Please only apply if you are interested in holding the position in the workshop in Shropshire. This is non-negotiable.

LDF Guide Image

To celebrate the expansion of Rupert Bevan’s artisan glass and mirror studio in Shropshire, this year’s design festival will explore some of the endless ways through which glass and mirrors can be used to create stunning and striking interiors. The expert mirror maker, and renowned designer, maker and finisher of fine bespoke furniture and luxury interiors, will be hosting an unseen exhibition of decorative glass and mirror finishes in the Queens Park showroom on Lonsdale Road.

www.londondesignfestival.com

During the week there will be opportunities to visit the London finishing studio for demonstrations and discussions, while exclusive events in collaboration with Queens Park Design District will see the surrounding area imaginatively transformed for the LDF festivities!

We will also be participating in an open air design trail / street exhibition by the Queens Park Design District Collective entitled ‘Objects of Design’ – stay tuned for more information: www.queensparkdesigndistrict.co.uk

Opening Hours: Tuesday 20th  – Sunday 25th Sept | 3-5pm weekdays (Thursday till late) | 12-4pm Sunday

Address: Rupert Bevan Ltd, 11 Lonsdale Road, Queens Park, London, NW6 6RA

Telephone: +44 (0)20 7731 1919 | Email: studio@rupertbevan.com

Antiqued Mirror Glass (3)

Glass Finishing (8)

 

We have recently expanded our workshop facilities in Ludlow (South Shropshire) to include a finishing and fitting workshop. Following this we are now looking for a skilled specialist finisher with experience in gilding, verre églomisé, French polishing, painting, staining and colouring timbers, to be based in the new Shropshire workshop.

Please download the PDF below for the Full Job Description

Specialist Finisher – Shropshire Workshop

How to Apply: Please send a short email to studio@rupertbevan.com explaining why you want to join Rupert Bevan Ltd and why you are the ideal candidate for this role. Attach your full CV and provide details of your availability for interview. Please apply only if you meet all the requirements.

Position based near Ludlow, Shropshire in the West Midlands – Please note this is NOT a London vacancy. Please only apply if you are interested in holding the position in the workshop in Shropshire. This is non-negotiable.

Gilding

Brass Sideboard_hi-res

Metals are a wonderfully versatile material to work with. They can be cast, wrought, sculpted, welded, turned into elegant hardware, inset as marquetry, used as trim/beading, or as cladding for walls, joinery or furniture. Here at Rupert Bevan we love incorporating patinated metalwork into our designs. By changing the surface appearance of the metal one can dramatically alter the effect and atmosphere it evokes, and the extent to which it can be coordinated with the colour scheme of the piece or the interior setting.

Techniques of patination can also be used to create innovative new finishes with decorative qualities. This is something we have been exploring at Rupert Bevan Ltd for several years now, and we have produced many exceptional and original interior finishes.

These are our favourites…

Blackened Steel

Steel is an excellent structural material, and has been used in construction for centuries to provide the most solid and durable support in architecture and infrastructure. In furniture it works very well for the frames of tables, desks, bedsides and more. Giving steel a blackened finish endows it with an antique chic and a similar look to wrought iron, softening the finish so it also works well for contemporary pieces as an alternative to the more utilitarian/industrial feel of raw, polished or brushed steel.  It can even be a decorative finish for panelling in its own right.

Blackened Steel

Patinated steel bathroom panels ~ Sculpted lamp in blackened and gilded steel

Patinated Brass

Brass is a metal alloy made from copper and zinc in varying proportions. It is durable and relatively malleable, so is a great material for hardware and for decorative metalwork with its gold-like appearance. The copper content gives it antimicrobial properties, so it is hygienic for kitchen surfaces and fittings like taps as the material itself destroys germs. Over time the surface of brass develops a darker surface patina. This natural antiquing can be imitated using techniques of patination to achieve a vast range of different surface effects. We think it is the perfect material to complement our antiqued mirror glass, and frequently recommend it for framing our mirrors. Often brass is confused with bronze, which is an alloy of copper and tin, and is similar in appearance to brass which has a darker surface patina. Often when people refer to bronze they actually mean dark patinated brass, which is usually a more suitable material to work with.

Brass island

Kitchen island and cooker hood clad in patinated brass

Patinated Copper

Copper is an element in the periodic table which shares similar attributes with silver and gold. It was the first metal put to use by humans at around 8,000 BC. Its durability and resistance to atmospheric corrosion, which it protects itself from by forming a verdigris layer of surface patina, has made it an excellent architectural material for hundreds and thousands of years, giving it a rich heritage and history of use. Its antimicrobial properties make it a hygienic surface, and it was commonly used for water pipes for this reason. Due to its efficiency as an electrical conductor it is invaluable in electrical devices and wiring, and can offer protection to electronic equipment and digital records.  With a naturally beautiful surface finish it can also be patinated in different tones to great effect for use as a decorative interior finish.

Copper

Display Cabinet and Media Sideboard in varying tones of patinated copper ~ Rupert Bevan for Violet & George

Patinated Zinc

Zinc is another element with historical use, though this does not date back quite as far as that of copper. It was used in the Middle East from the 10th century BC, but was unknown to Europe until the end of the 16th century. Like brass and copper the surface tarnishes naturally under normal atmospheric conditions, which creates a protective layer over the metal beneath. Similar in appearance to pewter, it is a better material to work with due to greater strength and durability. We created this unusual Zinc panelled wall finish, offset with studded trim in patinated brass, and inspired by the ‘Nautilus’ submarine in Jules Verne’s famous novel, which we are delighted has been nominated for the wall coverings category in the 2016 International Product Design Awards.

Zinc

Zinc & Brass Panelled Corridor ~ Rupert Bevan for Lucy Eadie

Care and Maintenance of Patinated Metal Surfaces

There are two different options for the final finish on our patinated metal surfaces. One is to leave them ‘live’ which involves lightly waxing the surface to give it a soft sheen and a degree of protection, but otherwise allowing it to continue to interact with the atmospheric conditions it is exposed to. This means it will very gradually continue to antique naturally over time, and also allows the patination to be altered/adjusted and restored more effectively. However it also means that the metal surface will react with other substances it is exposed to, including water or oils (even those naturally occurring in the skin) and cleaning products, which are often corrosive and can remove the patination from the surface. Often the best solution is wiping gently with a dry non-abrasive cloth – because brass is naturally antimicrobial there is no need to use harsh antibacterial products.

The other option is to completely seal the finish, in a lacquer or a nano-coating. At Rupert Bevan we prefer to avoid lacquer coatings as these detract from the beauty of the surface finish and can give a plastic-like sheen instead of the lovely iridescent hues of the metal. The nano-coatings are a new technology, designed to protect the appearance of metals from atmospheric or substance corrosion. These preserve the surface finish as it is, but also prevent it from continuing to naturally antique over time. Once it has been applied the surface patination can no longer be altered.

The Rupert Bevan team are always willing to work with our clients to help find the most suitable materials and finishes for their projects, and we are very happy to advise on the most appropriate finishes to meet requirements. We also provide advice and support for maintaining and caring for the bespoke furniture and finishes we create. If you have any questions or would like to discuss your ideas please do get in touch.

E: studio@rupertbevan.com | T: +44 (0)20 7731 1919

Different materials have been regarded as more or less valuable throughout history – often relating to how rare or readily available they are, and how costly or labour intensive they are to process or transport. But changing fashions also play a key role; what is fashionable can be completely removed from the practical side of supply and production, yet nonetheless inform people’s choices and perceptions just as much in determining what is worth more.

When buying or commissioning a piece of furniture, the question as to whether it is made with solid or veneered timber is often one of the first things people ask. Both types of materials and techniques for making have been in use for centuries, but with the modern assumption that solid timber furniture is superior many people might be surprised to discover that veneered furniture was generally valued more highly historically, and seen as more of a luxury.

Rosewood Chest of Drawers_Details

So which is ‘better’?

Contrary to popular belief in the present day that solid timber furniture is higher quality, and the historical view of veneered furniture as more desirable, neither material can be seen as preferable for construction in itself. Often a combination of the two materials will be most suitable.

Why?

Both choices of materials have advantages and disadvantages – in terms of practicality, functionality and longevity as well as appearance. Several different factors need to be considered to decide what will work best in the interior environment the piece of furniture will be placed in, and what is required from the piece in the longer term.

What needs to be considered?

  • How much, and what type of use/wear will it be subject to (for example a kitchen table will get much more wear than a dining table that only gets used on special occasions!)
  • What the piece will look like in terms of design/construction
  • What type of wood, grain, colour and surface finish it will have
  • Is it being purchased more as an investment or to be used
  • The heating and humidity of the room the piece will be going into

Solid Timber

Furniture made with solid timber has a reputation as being sturdier, stronger and lasting longer. Traditionally it was used for more simple rustic pieces, fitted joinery, or statement pieces with elaborate carving. It is associated with traditional construction methods such as dovetail joints, and there are many finishes such as liming, staining, waxing, ebonising and polishing which can be applied. Up until the 20th century most houses did not have central heating, but in the modern day when almost everyone lives in centrally heated houses using only solid timber is not always a better choice. This is because wood expands or contracts with changes to heat and humidity, so if the piece is not made properly there is a chance of it ‘moving’. Regulations on forestry mean that trees are often harvested younger, so the grain is less tight and can be more susceptible to atmospheric change. Different types of woods, and different ways of cutting it also affect how it will respond to relative humidity – for example quarter sawn wood moves less than flat sawn, and cedar will move less than oak. So it is very important that you maker knows exactly what they are doing when it comes to selecting the timber to be used, the design of the piece and the best techniques for construction, which will ensure that the piece remains stable and can last for decades or even centuries.

Leconfield Study

So for a finely crafted piece of furniture for a modern house it is not necessary to use only solid timber to ensure it will be stronger or last longer. To restore surface damage it can be seen as preferable as unlike with veneer the surface can be sanded down more effectively. The suitability of using solid timber largely depends on the design of the piece itself. This is something to consider from the beginning of the commissioning process, and the Rupert Bevan team are happy to advise on the best way meet your requirements and the most appropriate materials to use.

Veneered Timber

Use of veneers is not a modern phenomenon. Their use actually dates all the way back to ancient Egypt, then they were later used in Roman times! Many highly valued antiquities are made with veneers of precious and rare timbers; beautiful burr woods and marquetry inlays. The finest specimens of timber from all around the world are sourced by veneer companies, as there is greater potential for appreciation of exceptional grain and character in the wood when it is turned into veneer – each log can be used on many more pieces of furniture, dividing up the value of the precious timber to make it more accessible to makers.  Techniques such as ‘book-matching’ to create a symmetrical mirrored effect with the grain are associated with veneers, and there are even more options for the colour, tone and texture of the surface finish due to the greater variety of veneers readily available than solid wood, which can be harder to source to exact specification.

Veneered Table TS

Because of the artistic potential, veneered furniture was historically viewed as a luxury, not a cheaper alternative. It is only since the later part of the 20th C that it became regarded as inferior to solid wood. This was due to the mass production of cheap veneered furniture which used poor quality substrates and careless machine manufacturing, and gave it a bad name – often the veneer would separate or deteriorate, revealing an ugly substrate underneath. However when a skilled cabinet maker or joiner uses veneers along with other materials of consistently high quality, providing it is looked after by the owners the piece of furniture will have as much chance of lasting as long as a solid timber piece and could well become an antique of the future. While it will not withstand as much heavy surface wear and damage as solid timber, for a finer more decorative piece it can be a more suitable choice.

Using a Combination of Solid and Veneered Timbers

This is often the best choice for construction, as it allows both materials to be used to their potential most effectively for both appearance and functionality. Many modern cabinet makers take a pragmatic approach and use a combination of solid and veneered timber. They select the most appropriate technique to use depending on what is most suitable for the design and use of the piece.

The designers and makers at Rupert Bevan Ltd are experts in understanding both materials and methods of construction. They will guide you through the process from the very outset, advising and informing at every stage and providing samples of all the materials and finishes, to create a unique bespoke piece of furniture which is sure to stand the test of time.

Veneered Table (3)

We are seeking to recruit an enthusiastic, confident and self-motivated Sales Support person to join our small and busy team, with a focus on our antiqued mirror and decorative glass. You will be responsible for your own projects, delivering a high-end, bespoke service to our clients, and will help to drive sales and exceed company targets. This is a full-time, permanent, London based position.

Please download the PDF below for the Full Job Description

Sales Support London – Full Job Description

How to Apply: Please send a short email to studio@rupertbevan.com explaining why you want to join Rupert Bevan Ltd and why you are the ideal candidate for this role. Attach your full CV and provide details of your availability for interview. Please apply only if you meet all the requirements.

Application Deadline: Extended

49b.Best Rupert Bevan Eaton Finish - 41

With the Surface Design Show due to open on Tuesday we are busy with final preparations for our stand, and are excited about how fantastic we think it will look – especially as it will be our first time exhibiting at the show.

Picture1

This will be an exciting opportunity to share some of the beautiful work we have been developing with a wider audience, giving visitors to the event a chance to see our unique surface designs and innovative artisan finishes with their own eyes. Engaging directly with the surfaces is the only way one can truly appreciate the colours, textures, reflections and decorative artistry present in them.

SDS 2016 VIP eTicket HR(1)

If you would like to receive a VIP entrance pass, please follow the link above and register using the code VIP1.

We hope to see you there…

Brochure cover (2)

We are delighted to announce that the new Rupert Bevan brochure is just about to go to print, and will be ready to send out early in the New Year.
It is an exciting opportunity for us to showcase some of our finest work, which we are very much looking forward to sharing with you…

If you would like to be one of the first to receive it hot off the press, please email yasmin@rupertbevan.com with your full postal address.

Wishing you all a very Merry Christmas and and Happy New Year!
~ From Rupert Bevan and all the Team ~

Following the success of it’s first year as part of the London Design Festival in 2014, Queens Park Design District saw a fantastic turnout last week in its celebrations for this year’s festival. With an eclectic mic of talented design based organisations showcasing their work through open studios, installations and exhibitions, the area has been brought to life and the feedback has been wonderful. A big thank you to everyone who visited, and all the effort that went into making the exciting events on both the Thursday and Sunday so sensational. Wonder what we will be dreaming up for next year…?

Click here for the website for Queens Park Design District / QPDD

Click here for the website for the London Design Festival / LDF

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